Everything Everywhere: Costume Design & Multiverse

In “Everything Everywhere All at Once,” Michelle Yeoh’s character, Evelyn Wang, navigates a multiverse where costumes become a visual shorthand for her alternate lives, showcasing the creativity of Shirley Kurata, the costume designer. Costumes play a crucial role, serving as a narrative tool to distinguish between the myriad universes Evelyn encounters, from a world where hot dogs are fingers to her life as a celebrated martial arts expert, heavily influenced by Wong Kar-wai film aesthetics. The film’s eclectic and maximalist approach extends beyond the storyline into the wardrobe, blending everyday wear with fantastical elements, thus each outfit enhances the storytelling and reflects the emotional and chaotic journey of its characters. The unique costume designs, which incorporate a variety of cultural and historical references, highlight the film’s themes of identity and the limitless possibilities within the multiverse, thereby providing significant visual cues for audiences to understand each character’s role across different realities, especially within the context of science fiction and fantasy elements.

Dressing the Multiverse – The Art of Costume Design in Film

Alright, buckle up buttercups, because we’re about to dive headfirst into the wonderfully weird world of “Everything Everywhere All at Once!” Imagine a film that’s not just a movie, but a mind-bending, dimension-hopping joyride through the lives of one family. We’re not just talking about a simple story here; it’s a full-blown, interdimensional saga wrapped in a heartwarming tale about family, love, and the sheer absurdity of existence.

Now, what truly makes this cinematic adventure pop? Besides the incredible acting and the Daniels’ signature quirky direction, it’s the costume design. These aren’t just clothes, folks; they’re character blueprints, visual metaphors, and emotional signposts all rolled into one fabulous package. Think of them as a visual symphony, each outfit playing its part to create a harmonious (and sometimes chaotic) whole.

Enter the maestro behind this sartorial spectacle: Shirley Kurata. She’s the mastermind who, along with The Daniels, conjured up a wardrobe that’s as diverse and unpredictable as the multiverse itself. Their vision? To use clothing as a language, telling stories that words simply couldn’t capture. From humble laundromat attire to avant-garde masterpieces, they’ve crafted a world where every thread counts. Get ready to unravel this epic tale, one stitch at a time!

Evelyn Wang: A Wardrobe of Shifting Identities

Evelyn Wang, played by the phenomenal Michelle Yeoh, starts her journey as a woman drowning in the mundane. Her clothes? They tell the story. Think practical, slightly frumpy, definitely not making a statement. We’re talking sensible shoes, cardigans that have seen better days, and a general vibe of “I’m just trying to get through this laundry mountain.” This isn’t accidental. The costume designers deliberately chose clothes that screamed “everyday,” mirroring Evelyn’s overwhelming, slightly chaotic life running a laundromat, dealing with family drama, and facing down the IRS. It’s a visual shorthand for a life that feels stuck.

But then…the multiverse explodes, and so does Evelyn’s wardrobe! Suddenly, she’s rocking everything from an Elvis jumpsuit (sparkles and all!) to sleek, action-ready gear. Each costume is a portal, a glimpse into the infinite possibilities of who Evelyn could be. That Elvis costume? It’s not just a gag. It represents a version of Evelyn who embraced her performance abilities, who lived a life of fame and adoration. These transformations aren’t just about looking cool (though she does look pretty darn cool). They are a physical manifestation of her expanding consciousness, her ability to tap into skills and experiences from across the multiverse. They reflect her shifting identities and emotional states as she grapples with these new realities.

Ultimately, Evelyn’s costume journey is about self-discovery. She starts as a woman defined by her struggles and limitations, but through the multiverse, she tries on different versions of herself, literally and figuratively. Each outfit represents a path not taken, a dream not realized. By embracing these alternate identities, she learns to accept herself, flaws and all. The costumes become symbols of her growth, her acceptance, and her understanding that even in the face of infinite possibilities, the most important thing is her connection to her family and the love that binds them together.

Waymond Wang: From Meek Husband to Multiversal Hero

Waymond Wang, played brilliantly by Ke Huy Quan, starts as the quintessential underdog: a sweet, but seemingly ineffectual husband, weighed down by family troubles and struggling to keep his business afloat. His initial attire reflects this: think unassuming, forgettable clothes that blend into the background. He’s the guy you wouldn’t give a second glance, dressed in the sartorial equivalent of beige. But hold on tight, because this is where the magic begins!

Enter the multiverse! Waymond’s wardrobe undergoes a radical transformation as we glimpse the myriad possibilities of his existence. From suave, James Bond-esque secret agents in impeccably tailored suits, to stoic warriors clad in practical, combat-ready gear, each costume unveils a different facet of his potential. These aren’t just costume changes; they are visual representations of the roads not taken, the lives he could have led.

Through these sartorial shifts, we see Waymond evolve from a pushover to a powerhouse. The costumes aren’t merely window dressing; they amplify his character arc. Each outfit helps emphasize how he impacts Evelyn’s journey of self-discovery. They demonstrate not just his ability to be different, but his underlying courage and unwavering love, even in the face of unimaginable chaos. Essentially, the costumes scream, “Don’t underestimate this guy!”

Jobu Tupaki: Fashion as Anarchy and Emotional Expression

• Introducing Joy Wang/Jobu Tupaki:

  Let’s be real, Joy Wang, played by the incredible Stephanie Hsu, isn’t just walking onto the screen; she’s exploding in a supernova of glitter, latex, and pure, unadulterated chaos! But underneath all that fabulous noise is Jobu Tupaki, a being whose wardrobe is as mind-bending as the multiverse itself. We’re not talking simple outfits here, folks. We’re talking art pieces that scream rebellion, confusion, and a whole lotta “WTF is going on?”—in the best possible way. This isn’t just costume design; it’s a declaration of war against the mundane.

• Decoding the Chaos: Symbolism in Jobu Tupaki’s Wardrobe

  So, what’s with all the avant-garde madness? Each of Jobu Tupaki’s looks is a visual representation of her deeply rooted nihilism. Think about it: when you can experience everything, nothing really matters, right? Her costumes mirror this by throwing together every imaginable style and trend, creating a beautiful, terrifying mess. They’re like a giant middle finger to the idea of meaning and order. Underneath that tough exterior beats a heart overflowing with emotional pain, and her outrageous outfits are the only way she knows how to express it. Seriously, each outfit is a complex tapestry of her inner turmoil, her sense of isolation, and her quest for something—anything—that can fill the void in her soul.

• Fashion as a Force of Anarchy

  How do these costumes contribute to the film’s overall vibe? In short: immensely! Jobu Tupaki isn’t just a character; she’s an energy, a force of nature, a walking, talking, shape-shifting embodiment of chaos. Her costumes amplify this, turning every scene she’s in up to eleven. They’re not just visually stunning; they’re integral to the film’s sense of the absurd. They create an atmosphere of unpredictability, where anything can happen and probably will. They’re the visual equivalent of a punk rock anthem, a defiant scream in the face of the ordinary. Her wardrobe is a powerful statement, underscoring the themes of choice, consequence, and the search for meaning in a universe that often feels like it has none.

Deirdre Beaubeirdre: Dressing the Bureaucracy

Jamie Lee Curtis shines as Deirdre Beaubeirdre, the unsmiling IRS auditor whose very presence screams, “Show me the receipts!” But let’s be real, it’s not just Curtis’s acting chops that make Deirdre so memorable; it’s also that power-suit she rocks! Her stern IRS auditor attire is a character in itself, projecting a sense of no-nonsense authority.

Deirdre’s wardrobe is the antithesis of anything flashy or fun. Think muted colors, practical cuts, and zero frills. This isn’t about making a fashion statement; it’s about projecting an image of unwavering authority and, dare we say, a touch of intimidation. The drab and functional nature of her costumes is not an accident. It carefully reflects her character’s seriousness and the weight of her responsibilities within the IRS. It’s a visual representation of the tax code made flesh!

Ultimately, these costume choices underscore the mundane and restrictive aspects of Deirdre’s role. She embodies the unyielding rules and regulations that Evelyn, and many others, find themselves battling against. Her clothing is a constant reminder of the world’s lack of flexibility, a stark contrast to the boundless possibilities of the multiverse. It’s a brilliant way to visually establish Deirdre as a force to be reckoned with, even before she utters a single word.

Becky: Casual Comfort and Authenticity

• Becky Sregor, played by Tallie Medel, might not be hopping universes or battling with bagel-shaped black holes, but her character brings a much-needed dose of grounded realness to the film. And guess what? Her wardrobe totally reflects that!

• Forget the sequins, the Elvis jumpsuits, or IRS auditor chic; Becky’s all about that casual comfort. Think relaxed fits, maybe a cool graphic tee, and definitely some practical footwear. Nothing too flashy or attention-grabbing, which allows her genuine personality to shine through.

• Her clothing choices speak volumes about her personality. They scream “I’m chill, I’m easy-going, and I’m here for a good time!” Seriously, Becky’s style is like a warm hug on a bad day.

• And here’s the thing: Becky’s not just a random character thrown into the mix. She is a vital part of the Wang family’s support system, and her attire hints at the warmth and stability she offers. Her style reflects her integral role in the family dynamic.

Decoding Key Costume Styles: More Than Just Fabric and Thread

Let’s pull back the curtain and really dive into some of the standout sartorial choices in “Everything Everywhere All at Once.” These aren’t just clothes; they’re visual cues, plot devices, and emotional shorthand all rolled into one gloriously chaotic package. So, buckle up, fashionistas! We’re about to dissect some killer looks!

The King (or Queen) of the Multiverse: Elvis Costumes

Oh, Elvis! Who knew the King would be so central to, well, everything? The Elvis costumes in the film are more than just a wink to pop culture; they’re a symbol of identity and performance. These outfits scream confidence, even when the wearer might be crumbling inside. Think about it: putting on that jumpsuit instantly transforms you. It’s an act, a persona, and a way to step outside of yourself, which is exactly what many of the characters are trying to do. They embody the “King’s” charisma and presence, even if they’re just trying to make it through the day.

IRS Auditor Attire: Dressing the Bureaucracy

On the opposite end of the spectrum, we have Deirdre Beaubeirdre’s oh-so-serious IRS auditor attire. This isn’t about flash or pizzazz; it’s about authority and control. The drab colors, the functional cuts – every choice is deliberate. It’s a uniform that reinforces her role and the restrictive environment she represents. These clothes scream: “I’m here to do my job, and I’m not messing around!” It’s a visual representation of the mundane and unyielding nature of bureaucracy, which, let’s be honest, we can all relate to on some level.

Avant-Garde Fashion: When Chaos Looks This Good

Now, let’s talk about Jobu Tupaki. This is where things get wild! Her avant-garde looks are a riot of color, texture, and pure, unadulterated chaos. Think deconstructed everything, bold makeup, and a general disregard for fashion norms. These outfits are a visual representation of her nihilistic worldview and her immense emotional pain. They’re a way of saying, “The world is meaningless, so why not wear a bagel on my head?” It’s an explosion of creativity born from a place of deep despair.

Everyday Clothing: Keeping It Real

But let’s not forget the everyday clothes. The mundane laundromat setting is reflected in the characters’ initial, understated attire. Think comfortable, practical, and utterly unremarkable. This serves as a stark contrast to the wild and wonderful outfits they don in the multiverse. It highlights the ordinary lives they’re trying to escape or, perhaps, find meaning within. It’s a reminder that even in the most extraordinary circumstances, there’s still a base level of reality that grounds us.

Completing the Look: Makeup and Hair

And of course, no costume is complete without the perfect makeup and hair to tie it all together. From Evelyn’s practical bun to Jobu Tupaki’s ever-changing hairstyles and bold makeup choices, these elements add another layer of depth to the characters and their costumes. They enhance the overall aesthetic and play a crucial role in conveying the character’s personality and emotional state.

In short, the costumes in “Everything Everywhere All at Once” are a masterclass in visual storytelling. They’re not just pretty (or outrageous) to look at; they’re integral to understanding the characters, their journeys, and the themes of the film.

Themes Woven into the Fabric: Identity, Multiculturalism, and More

Everything in “Everything Everywhere All at Once” screams volumes, but let’s really zoom in on what the costumes are trying to tell us. Beyond just looking snazzy or absurd, they’re basically walking, talking billboards for the film’s core themes. Think of them as visual metaphors, layered like a mille-feuille.

Identity: More Than Just Clothes

The sheer kaleidoscope of outfits we see, especially on Evelyn and Waymond, acts like a giant mirror reflecting their ever-shifting identities. It’s not just about slapping on an Elvis jumpsuit (though, let’s be real, that’s pretty awesome). It’s about how each new look reveals a different facet of their personalities, a road not taken, a “what if?” scenario come to life. The costumes become a visual shorthand for their evolving sense of self, a journey of peeling back layers to find out who they really are (or could be). This is particularly poignant for Evelyn, who starts as a harried laundromat owner and becomes… well, everything.

Multiculturalism: A Closet Without Borders

The movie bursts with cultural influences, and the costumes are no exception. They’re a vibrant celebration of diversity, reflecting the Wang family’s Chinese-American heritage and the melting pot that is America. You’ve got nods to traditional Chinese clothing rubbing shoulders with Western fashion trends and outright bizarre multiverse creations. It’s a visual feast that acknowledges and celebrates the beauty and complexity of different cultures coming together.

Immigration: Wearing the Weight of Two Worlds

For immigrant families, clothing often carries a lot of weight, right? It’s a link to the homeland, a symbol of assimilation, and sometimes, a reminder of the struggles faced adapting to a new culture. In “Everything Everywhere,” the costumes hint at this tension. Evelyn’s initial wardrobe, practical and somewhat worn, speaks to the hard work and sacrifices made to build a life in America. Then, the bolder multiverse outfits hint at the freedom and possibilities that come with embracing a new identity while never truly abandoning your roots.

The Mundane vs. The Extraordinary: Laundry and Luchadores

The brilliant contrast between the Wang’s everyday laundromat attire and their wild multiverse costumes is pure genius. It underscores the film’s exploration of the extraordinary potential hidden within the mundane. Those drab clothes? They represent the daily grind, the routines that can feel suffocating. But then…BAM! A sequined Elvis jumpsuit bursts onto the scene reminding us that even in the most ordinary of lives, there’s room for a little bit of magic, a little bit of rebellion, and a whole lot of awesome. The costumes shout, “Don’t judge a book by its cover – or a laundromat owner by her apron!“

Behind the Seams: The Costume Design Process

Ever wonder how a simple idea transforms into a breathtaking visual feast? Let’s pull back the curtain and sneak a peek at the magic behind the costumes of Everything Everywhere All at Once. The journey from initial spark to final stitch is a wild ride, and it all starts with the brilliant mind of the costume designer.

First off, it’s all about collaboration. Shirley Kurata worked hand-in-hand with The Daniels, the directors, to translate their fantastically bizarre vision into tangible outfits. Imagine the brainstorming sessions! Sourcing fabrics, sketching designs, and throwing ideas around like confetti – it’s a creative explosion! Then come the fittings. This is where the costumes truly come to life, molded and adjusted to perfectly fit each actor and their respective multiversal persona.

And where do these amazing ideas come from? Well, inspiration can strike from anywhere. For Everything Everywhere All at Once, one key influence was Hong Kong Action Cinema. Think of the fast-paced action, the dynamic poses, and the stylish fight scenes – all elements that seeped into the costume designs, adding an extra layer of coolness and visual flair. Every choice, every detail, is carefully considered to enhance the storytelling and immerse the audience in the film’s unique world.

So, whether you’re planning a cosplay, a Halloween costume, or just looking for some wild inspiration, Everything Everywhere All at Once has got you covered. Go forth and create your own multiverse of fashion madness!